Wednesday, September 04, 2013

Bokeh Magazine

I am happy to announce that the California based Bokeh Magazine - The Art and Life of Photography features an interview with me in their latest issue, with a wonderful introduction by Nathan See, Editor in Chief.

Bokeh is premier photography magazine for those that are interested in photography business, art and lifestyle of photography.

Bokeh is published exclusively on iPad and iPhone and available through iTunes.

Get your copy from iTunes.

Here are some pages from Bokeh issue 10











Monday, September 02, 2013

Work to share

The Mountain

© Michael Werner, all rights reserved

Two Way Lens and Helen K. Garber

Two Way Lens proudly presents Helen K. Garber

I am happy and exited that another outstanding photographer joined my project Two Way Lens with a wonderful interview.

Helen K. Garber is a Santa Monica based photographer and multi media artist. She is known for her black and white night urban landscapes taken in cities such as Los Angeles, New York, Paris and Venice, Italy.

Her work has been exhibited internationally and is included in major private and public collections such as the George Eastman House, The Brooklyn Museum, The Museum of the city of New York and many others.

Please visit Helen's website and take your time to look at all the wonderful work presented there.

Helen's interview with Two Way Lens can be found here.



 Getty Tram ©1999 from the series LA Noir


  Second Avenue Subway Station ©2005 from the series NY Noir


LACMA Lamps ©2009 from the series LA Noir


© copyright all images Helen K. Garber

Wednesday, August 07, 2013

Ellen Jantzen

Photographer and Photo based artist Ellen Jantzen was so kind to let me have a sneak peak of her newest series Disturbing The Sprits.

I was thrilled about her new body of work and asked her if I am allowed to share it on the Truth Of Beauty.

Here is what Ellen wrote about Disturbing The Spirits:


As human actions impact the natural environment, can artists heal nature? Does art bring “special powers” to the table? If so, what are they? What is ‘art’? What is ‘nature’? What needs healing?

This series deals with both reality and time (past/present/future) and my growing attachment to the healing powers of the natural environment.
Trees teach us about belonging; they remind us that life doesn’t need permission to prevail. Trees are sanctuaries. If we listen closely, we can learn the ancient law of life. They are seen as powerful symbols of growth, decay and resurrection.They have played a prominent role in many folktales and legends and have been given deep and sacred meanings.
But, a tree’s longevity can lull us into a false sense of immortality.
It is this very impermanence that I long to understand through my photographic explorations. There is an ineffable natural beauty.... too great to be expressed or de- scribed in words.
In “Disturbing the Spirits” I am using imagery to convey my feelings about the state of nature, the nature of trees, and how to express their connection to past, present and future. By obscuring a portion of the image through a veil, I strive to heighten the remaining reality through discovery and reflection.

Disturbing The Spirits will be live on Ellen's website very soon.

In the meantime enjoy some of the new images here.

Ellen Jantzen is also part of my project Two Way Lens - Interviews with contemporary photographers.

Her interview can be found here.



Promise Of Spring



 Proximity



 Let The Others Follow



 Into The Unknown



 Toward Profusion



 Assurance


After Hours


© copyright all images Ellen Jantzen, all rights reserved

Tuesday, July 30, 2013

Two Way Lens and Julia Fullerton-Batten

Two Way Lens proudly presents Julia Fullerton-Batten.

Another outstanding photographer joined the already impressive list of artists on Two Way Lens.

Julia Fullerton-Batten was born in Bremen Germany. She spent most of her childhood in Germany and the United States, before moving to the UK when she was 16. She now lives in London.

Julia studied photography at the Royal Berkshire College of Art and Design. She started her professional career in 2001 and is now a well-established professional photographer.

Her work has been exhibited widely world - wide and is included in the permanent collections of the National Portrait Gallery, London, the Musee d'Elysee, Lausanne and many others.

More of her outstanding work can be found on her website.

Her Blog with latest news can be found here.

Her interview with Two Way Lens can be found here.





 Custody Battle, from the series Mothers and Daughters



 Jessica, from the series Unadorned



 Yellow Dress, from the series Awkward



 Yuen, from the series Blind



Harajuku, Tokyo, 2013

© copyright all images Julia Fullerton-Batten, all rights reserved


Saturday, June 29, 2013

Klaus Pichler - Skeletons In The Closet

Skeletons In The Closet is a new photo-book by Austrian photographer Klaus Pichler.

Klaus takes us on a fascinating tour behind the public exhibition spaces of the Museum of Natural History in Vienna.

He wrote:

It all started when I happened to look through a basement window of the Museum of Natural History in Vienna one night. Inside, there was an office with a desk, computers, shelves and a stuffed antelope. This image remained ingrained in my mind and I started to wonder if constellations like this could be found in other areas of the museum and, also, what a museum would look like away from public exhibition spaces.


This tour took him nearly four years of spending hour upon hour wandering through the museum premises and searching for scenes where exhibits and their surrounding spaces enter a unique relationship.

The result is a wonderful book full of captivating photographs. It tells the story of a fascinating world behind the walls of a museum and some photographs, I have to admit, remind me of the movie Night at the Museum, when the artefacts come to life at night.

"Skeletons in the Closet features a selection of photographs from the backstage areas of the Natural History Museum Vienna, including storage rooms, basements and depots. The non-staged photographs of the book focus on the random interactions between the stored exhibits amongst each other or the surrounding spaces. Skeletons in the Closet is a collection of sometimes absurd sceneries and strange still lives, accompanied by written reflections on the bloody past of natural history museums."



More about the book and how to order it can be found on Klaus Pichler's website

Please make sure to look at his other projects as well, really worthwhile!









































© copyright all images Klaus Pichler, all rights reserved

Monday, June 24, 2013

I Think We Are Alone Now - Photozine

I Think We Are Alone Now is a new Photo-Zine dedicated to analogue photography.

Issue No. 2 just got released.

For more information about the zine and to order your copy, please follow the link to I Think We Are Alone Now.











Saturday, June 22, 2013

Two Way Lens and Stephen DiRado

Two Way Lens proudly presents Stephen DiRado,

I am happy and excited that another outstanding artist joined Two Way Lens.

Stephen DiRado is a fine-art photographer and teacher based in Worcester, MA. He began his professional career at age 17, working as a freelance photographer for a Boston suburb newspaper.


With a focus in fine art photography, he attended the School of the Worcester Art Museum, studying with Irene Shwachman, and then onto Massachusetts College of Art studying with Nicholas Nixon.

He graduated in 1981 with a BFA. Currently, he is teaching photography at Clark University in Worcester, MA, where he has been employed since 1984.

Stephen's series like The Mall Series, Beach People, Dinner Series, Jacob's House, With Dad, Body are all longterm documentary projects that explore the structures and identities of communities, families, couples, groups and individuals.

Stephen's life is dedicated to photography, you can see this passion and love for the medium and his subjects in every single photograph. His interview with Two Way Lens provides so much information, insight and wisdom and shows not only an extraordinary photographer and teacher but also a great person.

Please make sure to visit Stephen's website and take time to sit down and see all the wonderful photographs and projects.

Don't forget to watch the touching, intimate and deep video documentary he made visiting the nursing home where his father lived disabled by Alzheimer's.

Another wonderful documentary is his film Summer Spent.

Summer Spent is a deeply personal documentary film that portrays the daily efforts of a photographer, who for 25 years, strives to record beach goers on the island of Martha's Vineyard. His passion for his subjects and mutual trust help create rare and revealing portraits of a community inaccessible to others.

Thanks Stephen for a great interview!

Stephen's interview with Two Way Lens can be found here.

Stephen's website can be found here.




Gene, Worcester, MA, May 1998, from the series With Dad



 Hale Bopp, Tisbury, MA, April 4, 1997, from the series Celestial



Lobsterville, MA, June 26, 2012,  from the Dinner Series



 Freddie and Terri, Worcester, MA, 1983, from the series Bell Pond



 Roger, Aquinnah, MA, September 15, 2012, from the series Beach People



 Summer Spent, a film by Stephen DiRado



Stephen DiRado with his camera


© copyright all images Stephen DiRado, all rights reserved




Sunday, June 09, 2013

Bill Perlmutter - Through a Soldier's Lens

Seltmann und Söhne publisher, Germany just released a new book with photographs by New York based photographer Bill Perlmutter.

Through a Soldier's Lens - Europe in the Fifties shows for the first time in a book, the work Bill Perlmutter made in the years 1954 - 1957 while he was in Europe as a soldier.

This private photographs were taken in Germany, France, Italy, Portugal and Spain and are a historical and photographic discovery introduced to the public 60 years later in this book.

In December 1954, the 27 year old soldier boarded a troop carrier to Germany, to start his assignment as a staff photographer for the U.S. Army Magazine.

The photographer’s view of war-torn Europe is direct and intuitive. Without much background knowledge and with a somewhat biased opinion primarily shaped by films he had watched, the young GI set out to start his coverage. In a discrete way, humans shape his images. With an open mind and obvious interest for his contemporaries, he witnesses a Europe, which is marked by visual reminders of a war that had been fought ten years before. 


Bill Perlmutter was born in New York on September 5, 1932. He began his career with a Bachelor of Arts in Motion Picture Techniques from the City College Film Institute in New York.

In 1954 after graduating from the United States Army Photography School, he spend two years in Europe as a staff photographer for the U.S. Army newspapers based in West Germany. Since then he traveled extensively all around the world as a free-lance photographer. From 1978-1997 he worked as the Vice President of Rainbow Chromes, a company specializing in photographic and digital retouching.

His images have been collected and exhibited by fine art galleries world-wide and are in the permanent collections of MoMA, The Whitney Museum of American Art, the Smithsonian and the Museum of the City of New York. Bill Perlmutter lives in New York.


"Through a Soldier's Lens - Europe in the Fifties". is published by Seltmann und Söhne


Work from Through a Soldier's Lens can be seen in an exhibition at Galerie Hilaneh von Kories in Hamburg, Germany till July 17, 2013.




 Bill, age 23, 1954



 French Post Card Seller, Paris, 1955



 Front, Side and Rear, Spain, 1956



Soccer Fan, Germany, 1955



G.I. Baby, Germany, 1955



Couple in a Café, Paris, 1955



 Hitler-look-a-like, Augsburg, 1955 




 Pages from the book


Pages from the book






© copyright all images Bill Perlmutter and Seltmann+Söhne