Friday, January 13, 2012

Bruce Martin

Bruce Martin is a professional photographer with more than 45 years of experience in this field.

The love for photography started already in his childhood. His grandfather, who was a Daily News Press photographer and the only one granted to photograph famous gangsters in New York City put this love into him. This love grew bigger and bigger combined with enthusiasm, passion and creativity.

He lived in Europe for 15 years and worked for magazines like Elle, Mademoiselle and Seventeen. Then he got more interested in sports and put his energy in international cycling, marathons, triathlons and also in street photojournalism and portraits.

Today his focus lies in panorama’s landscapes of mountains, “rural X”, rusted cars and street life.

When I saw Bruce's wonderful project about the 80 year old Walter I was captivated by it right from the start.

This project is done with so much love and respect for the subject. The photographs are perfectly composed and let us look into a world we don't normally have access to.

Please enjoy the story of Walter written and photographed by Bruce Martin.



2011, A Pictorial Essay Rural X in America. Meet Walter....

I’m a photographer and alternative health therapist with a mission: To illustrate and share in a pictorial essay what it’s like to experience rural X in America.

This story really began years earlier with my curiosity about the possibility of rendering beauty in decay, something that, the more I look at it around me, the more I see it has a story to reveal.
I always approach an unknown location with curiosity and respect. This is important as I will be careful to not touch, destroy or alter anything for the inhabitants I come upon. These are my rules of engagement.

Approaching the property with my panorama digital and a 35mm film camera, I started circling, moving in closer and closer, taking it all in while “dry shooting” images in my head, deciding on my priorities for illustrating the story.

Yugo, I go



The farther I went, the more I realized this wasn’t going to be typical of the abandoned properties I had seen in the last 2 years since I’d been doing this.


Where’s the TV remote…?



"Halt, who goes there?" asked the guardian angel

At this point I’m out of my mind with curiosity and desire to enter the house and suddenly I see a cat and know right then and there I could possibly be in trouble. If the owner saw me, how would he react? How would I react? A flood of emotions raced through my mind as I face forward and head straight for the door. Walt and I meet outside, I fearing the worst. He wasn’t what I was expecting at all, instead: friendly, witty, and sharp minded. He invited me in….

"Would you like to come in…?"

Walter, 80 years old, is poor, living alone with his dog, Aflac, and two cats, in one room of the large, all wood, 14 room boarding house he was born in, owned by his family for three generations. As we entered, I can’t believe my eyes. Incredible: this is what I had trained myself for many years to prepare for in capturing the “beauty in the decay” of rural X. My mind slowly calmed down and I ask if I could do more photos of him. “Go right ahead…"Now the challenge, how was I going to render his maze of information in a clear, pictorial statement? Lighting was mixed florescent and daylight. Literally, I had no room to set a tripod and with detail that was begging to be rendered with the mixed low light, I did the best I could.

The captain’s chair

When I get in position, in my mind is that there comes time when being truthful, honest, and letting God take over and direct me was where I needed to be, giving up control and letting Him do the “driving." Switching into autopilot, I set up the tripod as best I could and made the camera’s adjustments all in manual mode. My 8mm lens was a God-send, as any other focal length with such limited space would not have had the coverage, sharpness, and the feeling of “being there” that this lens has. I decided not to use flash, but to use the mixed lighting with bracketed exposures, to get the “feeling just right”.
I quietly, methodically set out to record it all while trying to pay attention to Walter, as he told one story after another that really blew my mind.
He was very engaging, funny and serious at times, scattered in his thinking from years of medications, poor diet and living in the deep decay of his own self imposed hell. Nonetheless, he could recall with clarity and detail that to this day still amazes me.


"Isn’t Life grand…?"

In past experiences photographing people, I have felt it very important to align my thoughts and feelings with concern and compassion in my heart; without this the result would be lot different

"The last bad vice I have…"

He turned and shuffled through some papers to pull out a photo of himself and a friend from 60 years ago and showed it to me. “That’s me on the left," he noted. It said something powerful to me; looking at him now and then in this photo and I had only use my imagination to glimpse what he must have been like.

Aflac


As the light fell and my energy and equipment energy running low, I gave Walter my card and said that if he needed to do shopping or had any emergency, I would be available. Saying my good byes, I made it to the door, noticing how sweet the air felt as I took my first breath of fresh air. Making it to the car, I prayed to God thanking Him for guiding my actions and showing me what I needed to do to accomplish this incredible task. I felt fortunate to be blessed with what little I have and I gave thanks over and over as I drove home.

That night, I started post processing all that I had done, the editing that I’ve trained myself for 40 years to do is represented here with these first 13 images, plus a 360/180 virtual panorama of the front property and his room, and now is locked into my computer’s memory and is shown here for the first time.

In closing, I offer one parting thought: What this has given to me is an immeasurable feeling of gratitude, especially profound to me at this time of year and this point in my 65 years on this planet. What I wish is that this heart felt pictorial essay will be an inspiration to other photographers as a call to search their souls for more stories which exemplify the true meaning of the human spirit - people caught in the act of being themselves, being human. Thank You, Lord, for all your guidance, love and support in helping make this possible. I owe it all to you.

Bruce Martin,

Catskill, New York, 12/7/2011




Part 2. My second visit.

I asked if I could photograph the other rooms. Here are a few of the images of up stairs.

Stairway



Training bicycle he used



Hallway



Master suite, all amenities included except toilet



Green room, TV, weight room, all included, no maid service



© copyright all images Bruce Martin

Saturday, December 31, 2011

Tuesday, December 27, 2011

Two Way Lens and Ellen Jantzen

Two Way Lens proudly presents Ellen Jantzen.

I am very happy and excited that Ellen Jantzen joined the amazing line up of outstanding photographers on Two Way Lens - Interviews with contemporary photographers.

Ellen Jantzen is a photographer and artist from St.Lois, Missouri and Los Angeles. Her work is included in many private and public collections and has been exhibited internationally. 2011 was just her year, she has won numerous awards, her work has been reviewed by international photography, art and design magazines and she got represented by a contemporary art gallery.

Ellen Jantzen's work is outstanding and unique. She combines two art forms, photography and digital art and creates images full of mystery and beauty.

Her most recent series is called Losing Reality; Reality of Loss

This is what Ellen writes about this series:

How does one experience loss? What does loss look like?
Catastrophic losses usually have a face; think war photos, photos from the World Trade Center, crashes of various sorts but I am interested in personal loss.

I have always been interested in alternate states of reality, the meaning of dreams, what becomes of our spirits after death (and before birth). We all deal with "loss" in some form, loss of friends, home, youth, and the ultimate loss, loss of life. Death transforms us; reality shifts, but to what?

I am intrigued with how a person adapts to losses in their lives; how they are absorbed by events and changed; how they experience loss. Do dreams influence the experience of loss? Are dreams real? I set about to address these issues through a photographic photosynthesis in this body of work; choosing photography as the medium to help me reveal reality while at the same time transform that reality to reflect loss.

In these images, I have placed my husband, Michael in various environments where a loss of some sort has recently occurred. Some of the losses were very specific and personal and some were of a general, universal nature reflected in an inner state of anguish and eventual acceptance.

More of Ellen's work can be found on her website

The interview with Two Way Lens can be found here.

Inheritance, from the series Losing Reality; Reality of Loss


from the series Losing Reality; Reality of Loss


from the series Losing Reality; Reality of Loss


from the series Losing Reality; Reality of Loss


from the series Losing Reality; Reality of Loss


© copyright al images Ellen Jantzen

Monday, December 26, 2011

Friday, December 23, 2011

Happy Holidays

I wish you all a Happy Holiday season.

Peace, Love, Health and all the luck in the world.

Have a wonderful time, enjoy the end of the year and welcome 2012!





































© copyright all images Michael Werner

Tuesday, December 20, 2011

Saturday, December 10, 2011

Skewed Demographic - Exhibition and Benefit Auction

Skewed Demographic is an exhibition at the Queens Museum in New York City and a benefit auction.

This exhibition is on racial health disparity honoring Amit Gupta the founder of Photojojo and other Leukemia patients of South Asian heritage.

All auctioned works will benefit marrow donor registration in underrepresented communities.

See the show and buy work at the Queens Museum today on December 10th from 1 - 5 pm, or bid for the work of any of the photographers online until December 19th.

There's great photography to find, bid here and support this important case.


Wednesday, December 07, 2011

Giovanni Savino

Giovanni Savino is a New York based photographer specialized in editorial, documentary and portrait photography.

Besides his many professional assignments Giovanni is very passionate about a particular project he is working on.

The project is called Batey Dos. It is a photo reportage in one of the poorest Haitian immigrant settlements in the Dominican Republic: Batey numero dos (Batey two).

This is what Giovanni writes about his project:
Since the Haiti earthquake, the number of Haitian nationals illegally crossing the nearby border in search of work and better life conditions has greatly increased.
While not far from the riches and the modern lifestyle of a Dominican city, people here live on an average of ten dollars a day, six months of the year, the other six months, on zero income.

There is a local clinic, just two rooms and a cabinet full of aspirin, painkillers and condoms serving over 8000 Haitian workers.
There has been a great increase in eye problems and blindness amongst the workers because the sugar cane company uses weed killer.

Most of these people own nothing if not the ragged clothes they are wearing. They live in substandard housing, cement and zinc roof shacks built in the 1950’s, often up to 15 people in a room, sleeping amongst dirt, vermin and desperation.

Through this project Giovanni wants to make more people aware about the abysmal conditions these workers and their families live in and possibly become instrumental to bring some tangible help and relief to those very people.

The photographs below are from Batey Dos, they show the sensibility, the respect, the love and passion for the people and the perfect photographic skills Giovanni has gained over many, many years working as a professional photographer.

More of Giovanni's wonderful work can be found on his website and on his blog.

























© copyright all images Giovanni Savino